Salvadore Dali's large exhibition in Moscow

On January the 28th at the Central Exhibition Hall "Manege" will open the exhibition "Salvadore Dali. Magical art ”, organized by the Cultural-Historical Foundation“ Link of Times ”and the Faberge Museum in partnership with the Gala-Salvadore Dali Foundation (Figueres) and the National Museum“ Queen Sofia Art Center ”(Madrid). From January 28th to March 25th 2020, the Russian audience will have a unique opportunity to get acquainted with the works of the brilliant artist. The exhibition will feature more than 180 works of Dali’s: paintings, drawings, watercolors and prints. The exposition will be based on works from the collections of the Gala Salvador Dali Foundation and the Reina Sofia Art Center National Museum. Works from private European collections will also be shown.

The exhibition will provide an opportunity to trace the entire long career of Salvador Dali, to explore all stages of his development as an artist. The exhibition will feature paintings, from the youthful impressionistic landscapes of the 1910s to the last abstract canvases of the 1980s. Of particular importance is, of course, the mature works of Dali, his surreal and nuclear-mystical periods. They are represented at the exhibition by the most famous works - “The Invisible Man” (1929–32), “Sense of Speed” (1931), “Architectural Angelus Millet” (1933), “Landscape with Mysterious Elements” (1934), “Soft Self-Portrait with fried bacon "(1941)," Uranium-atomic melancholic idyll "(1945)," Dematerialization under the nose of Nero "(1947)," Maximum speed of the Raphael Madonna "(1954) and other masterpieces that reveal Dali's unique authorial style and brought him world glory.

In addition, lectures and film screenings will be held as part of the exhibition. "Our most visited exhibition was Frida Kahlo and Diego Rivera for 400 thousand visitors, and we plan to repeat our success," said Alexander Kibovsky, head of the Moscow City Department of Culture. He also emphasized that the organizers should not set new records, since each exhibition is a thoughtful, serious project that requires preparation, not a conveyor.